(Horror Film) Moodboard - Aesthetics/Mise-en-scene

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'Crimson Peak' Clip Analysis

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Analysis of the 'Crimson Peak' Clip At the beginning of the clip the audience is met with a medium shot of a young girl lying down. The low-key lighting and the dark green atmosphere immediately indicates that this movie is of the horror genre. For the most part, the first couple of seconds is quiet, apart from the abrupt gasp that may catch the audience off guard; this could show that she may have had a nightmare. As she slowly wakes up and looks around at her surroundings, the camera zooms out, revealing more of the mies-en-scene to the audience. In the background, the non-diegetic sound is that of a choir, creating an eerie atmosphere, almost like the voices are travelling through the halls of this apposed large house; accompanied with this is the diegetic sound of a dog barking, which is actually a common horror convention. It relates to the theory that animals have a sixth-sense, so they are able to see something that humans cannot. This relates to the mystery and the
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Aesthetic of Trainspotting - Questions

What are the conventions of Social Realism? Location Shooting - not in a studio - real life places (Council Estates, Parks, etc) Wide shots (So that the audience gets a good understanding of the setting) Non-professional actors that the audience will not recognise (More real) Semi-improvised scripts - to make it seem more realistic (Realistic dialogue) Humour and seriousness combined (To see both sides of life) Wider social issues explored via emotional and dramatic individual stories (Example: unemployment, gang culture, homelessness) What kind of political ideologies are most associated with this style of film making? Social Realism draws attention to the everyday conditions of the working class and to voice the authors' critique of the social structures behind those conditions. It brings attention to very real problems that many people choose to ignore. What is Hyperrealism? "Trainspotting is hyperreal, it goes beyond simple photorealism in its s
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